Recurrent Themes and Iconographic National Symbols: A Formalist Approach in the Comparative Study of the Selected National Anthems of Libya, France and Albania

Year 2019, Volume: 1 Issue: 2, 51 - 56, 29.12.2019

Pelin Gölcük Mirza

Abstract

This article examines the similar themes and symbols embedded in the national anthems to demonstrate how these anthems construct or preserve the collective imagination and identity. In order to disclose the similarities in the manner of emphasising patriotism and strengthening the national bonds, this study will probe into three different national anthems: “Hymn to the Flag” of Albania, “La Marseillaise” of France and “God is the Greatest” of Libya. Although the three of them represent different cultures and they are located in different continents, they employ similar concepts, themes and symbols in their national anthems to heighten the sense of nationalism. In consideration of this affinity, this study aims to explore the similarities in thematic aspects and the differences in formulation in which their peculiar culture is reflected and constructed through. As such, this analysis will discuss the functions and cultural meanings of the national anthem by featuring the theme of unity, duty, and the propaganda of the lurking enemy through a formalist approach.

Keywords

national anthems, Unity, Duty, Liberty, Creation of an enemy

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