Abstract
Paul Kane’s Wanderings of an Artist among the Indians of North America is a work in which Kane draws illustrative pictures of North American Indians and writes his experiences he had during the time span of a four year that he spent travelling among the Chippeways, Crees, Sioux and Blackfeet tribes of North American Indians. Though Kane’s work reflects a European gaze on Indians which can be framed with the ideology of white supremacy, it is not grounded on hostile intentions for Indian people. Kane acknowledges Indian people’s “wild nature”, yet, contrary to the ideology of settler colonialism which is mainly based on the claim for land and gradual erasure of native agency, he mostly insists on the valuable aspects of native people’s cultural life. Accordingly, this paper aims to show Paul Kane’s awareness of this erasure, and his effort to catch the image of Indian as an Other that struggles to exist in his/her Self which will diminish in time.
Keywords
References
- Calloway, C. G. (2008). White People, Indians, and Highlanders: Tribal Peoples and Colonial Encounters in Scotland and America. Oxford University Press.
- Coulthard, G. S. (2014). Red Skin, White Masks: Rejecting the Colonial Politics of Recognition. University of Minnesota Press.
- Francis, D. (1992). The Imaginary Indian : The Image of the Indian in Canadian Culture. Arsenal Pulp Press.
- Goldie, T. (1989). Fear and Temptation: The Image of the Indigene in Canadian, Australian, and New Zealand Literatures. McGill-Queen's University Press.
- Kane, P. (1859). Wanderings of an Artist among the Indians of North America: From Canada to Vancouver's Island and Oregon through the Hudson's Bay Company's Territory and Back Again. Spottiswoode and Co.
- Lennox, J. (2017). Homelands and Empires: Indigenous Spaces, Imperial Fictions, and Competition for Territory in Northeastern North America, 1690-1763. University of Toronto Press.
- Monaghan, J. (2013). Settler Governmentality and Racializing Surveillance in Canada's North-West. The Canadian Journal of Sociology / Cahiers canadiens de sociologie, 38(4), 487-508. www.jstor.org/stable/canajsocicahican.38.4.487
- Saranillio, D. I. (2015). Settler Colonialism. In S. N. Teves, A. Smith, & M. H. Raheja (Eds.), Native Studies Key Words. The University of Arizona Press.
- Teves, S. N., Smith, A., & Raheja, M. (2015). Colonialism. In S. N. Teves, A. Smith, & M. Raheja (Eds.), Native Studies Keywords. University of Arizona Press.
- Wilson, D.T. (1892). The Lost Atlantis and Other Ethnographic Studies. Edinburgh, D.Dougles.
- Witgen, M. (2012). PROLOGUE. The Long Invisibility of the Native New World. In An Infinity of Nations (pp. 1-22). University of Pennsylvania Press. www.jstor.org/stable/j.ctt3fj1jp.3
- Wolfe, P. (1999). Settle Colonialism and the Transformation of Anthropology: The Politics and Poetics of an Ethnographic Event. Cassell.
Abstract
Paul Kane’in Wanderings of an Artist among the Indians of North America adlı eseri, Kane’in Kuzey Amerika yerlilerini tasvir eden resimler çizdiği ve Kuzey Amerika’nın Chippeway, Cree, Sioux ve Blackfeet kabilerleri arasında geçirdiği dört yıllık süre boyunca edindiği deneyimlerini yazdığı bir çalışmadır. Kane’in çalışması, yerliler üzerindeki beyaz ırkın üstünlüğü ideolojisiyle çerçevelenen Avrupa bakışını yansıtsa da, yerli halk için düşmanca niyetlere dayandırılmamaktadır. Kane, yerli halkın “vahşi doğa”sını kabul etmekle birlikte, esas olarak toprak talebine ve yerel hakimiyetin kademeli olarak silinmesi amacına dayanan yerleşimci sömürgecilik ideolojisinin aksine, çoğunlukla yerli halkın kültürel yaşamının değerli yönleri üzerinde ısrar etmektedir. Bu doğrultuda, bu çalışma Paul Kane’nin bu konudaki farkındalığını ve zamanla azalacak olan kendi Benliğinde var olmak için mücadele eden yerlinin Öteki olarak imajını yakalama çabasını göstermeyi amaçlamaktadır.
Keywords
References
- Calloway, C. G. (2008). White People, Indians, and Highlanders: Tribal Peoples and Colonial Encounters in Scotland and America. Oxford University Press.
- Coulthard, G. S. (2014). Red Skin, White Masks: Rejecting the Colonial Politics of Recognition. University of Minnesota Press.
- Francis, D. (1992). The Imaginary Indian : The Image of the Indian in Canadian Culture. Arsenal Pulp Press.
- Goldie, T. (1989). Fear and Temptation: The Image of the Indigene in Canadian, Australian, and New Zealand Literatures. McGill-Queen's University Press.
- Kane, P. (1859). Wanderings of an Artist among the Indians of North America: From Canada to Vancouver's Island and Oregon through the Hudson's Bay Company's Territory and Back Again. Spottiswoode and Co.
- Lennox, J. (2017). Homelands and Empires: Indigenous Spaces, Imperial Fictions, and Competition for Territory in Northeastern North America, 1690-1763. University of Toronto Press.
- Monaghan, J. (2013). Settler Governmentality and Racializing Surveillance in Canada's North-West. The Canadian Journal of Sociology / Cahiers canadiens de sociologie, 38(4), 487-508. www.jstor.org/stable/canajsocicahican.38.4.487
- Saranillio, D. I. (2015). Settler Colonialism. In S. N. Teves, A. Smith, & M. H. Raheja (Eds.), Native Studies Key Words. The University of Arizona Press.
- Teves, S. N., Smith, A., & Raheja, M. (2015). Colonialism. In S. N. Teves, A. Smith, & M. Raheja (Eds.), Native Studies Keywords. University of Arizona Press.
- Wilson, D.T. (1892). The Lost Atlantis and Other Ethnographic Studies. Edinburgh, D.Dougles.
- Witgen, M. (2012). PROLOGUE. The Long Invisibility of the Native New World. In An Infinity of Nations (pp. 1-22). University of Pennsylvania Press. www.jstor.org/stable/j.ctt3fj1jp.3
- Wolfe, P. (1999). Settle Colonialism and the Transformation of Anthropology: The Politics and Poetics of an Ethnographic Event. Cassell.
Details
| Primary Language | English |
|---|---|
| Subjects | Creative Arts and Writing |
| Journal Section | Articles |
| Authors | |
| Publication Date | July 26, 2021 |
| Acceptance Date | December 1, 2020 |
| Published in Issue | Year 2021 Issue: 45 |
