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Sylvia Plath’in “Lady Lazarus” Eserindeki Psikolojik Alt Metinlerin Jungcu Arketip Kuramı Çerçevesinde Yeniden Yorumlanması

Year 2025, Volume: 19 Issue: 1, 235 - 246, 30.06.2025
https://doi.org/10.47777/cankujhss.1624989

Abstract

Jung’a göre, kolektif bilinçdışındaki arketipler, psikolojik süreçlerin unsurları, evrensel semboller ve davranış kalıpları da dahil olmak üzere, içsel ve dışsal çevremize uyum sağlamamıza yardımcı olur. Edebiyat, okuyuculara kolektif bilinçdışını anlama fırsatı sunarak tüm insanlar ve toplumlar için geçerli olan evrensel sembol ve arketiplere erişim sağlar. Jung, yazarların sıklıkla bu arketipleri bilinçsizce kullanarak okuyucularla derin psikolojik düzeyde bağ kuran sanat eserleri ürettiklerini düşünüyordu. “Lady Lazarus” şiirinin bu yorumu, kolektif bilinçdışı arketiplerin, özellikle Benlik, Gölge, Anima, Animus, Kahraman ve Hilebaz figürlerinin, güçlü bir şekilde incelenmesidir. Şiirin anlatıcısı, kendi yaklaşan ölümünü kabullenmeye çalışır ve bu keşif yoluyla okuyucuya, kendi derin umutsuzluklarıyla yüzleşme ve bunu aşma yöntemlerini bulma meydan okumasında bulunur. Bu makale, şiirin Jung’un insan davranışı arketipleri ışığında edebi bir analizini yapmayı amaçlamaktadır. “Lady Lazarus”, bu arketipsel dinamiklerle ilişki kurarak, bir günah çıkarma şiirinden daha fazlası haline gelir; ruhun içindeki yıkım ve yenilenmenin döngüsel doğasını keşfetmek için bir alan haline gelir. Okuyucular, edebiyat temalarını içeren bu tür bir keşifle karmaşık kavramlar ve duygular üzerinde canlı bir şekilde düşünme imkanı bulabilirler. Şiir ile arketipler arasındaki ilişki, evrensel prototiplerin yorumlanarak edebi karakterlerin ve insan psikolojisinin daha iyi anlaşılmasına olanak tanır. Şiir, Jung’un arketip teorisi çerçevesinde incelendiğinde, okuyuculara kolektif bilinçdışıyla bağlantı kurma ve kendi içsel dünyalarına dair derin bir anlayış geliştirme olanağı sağlar. Bu durum, edebiyatın insan psikolojisi üzerindeki güçlü etkisini bir kez daha kanıtlar.

References

  • Atre, S. (2011). The Feminine as Archetype. Annals of the Bhandarkar Oriental Research Institute, 92, 151-193, https://www.jstor.org/stable/43941279.
  • Avens, R. (1977). The Image of the Devil in C. G. Jung's Psychology. Journal of Religion and Health, 16(3), 196-222, https://www.jstor.org/stable/27505406.
  • Burger, J. M. (2010). Personality. Wadsworth Publishing.
  • Campbell, J. (2004). The Hero with a Thousand Faces. Princeton University Press.
  • Carroll, M. P. (1984). The Trickster as Selfish-Buffoon and Culture Hero. Ethos, 12(2), 105–131. http://www.jstor.org/stable/639961.
  • Dyne, S. V. (1983). Fueling the Phoenix Fire: The Manuscripts of Sylvia Plath's “Lady Lazarus.” The Massachusetts Review, 24(2), 395-410. https://www.jstor.org/stable/25089435.
  • Ekstrom, S.R. (2004). The mind beyond our immediate awareness: Freudian, Jungian, and cognitive models of the unconscious. Journal of Analytical Psychology 49: 657–682. doi: 10.1111/j.0021-8774.2004.00494.x.
  • Fordham, F. (1991). An Introduction to Jung’s Psychology. Penguin Books.
  • Gallagher, J. (2021). “Archetypes of the Collective Unconscious and Complexes.” Academia.edu. https://www.academia.edu/32947677/Archetypes_of_the_Collective_Unconscious_and_Complexes.
  • Greenwood, S. F. (1990). Émile Durkheim and C. G. Jung: Structuring a Transpersonal Sociology of Religion. Journal for the Scientific Study of Religion, 29(4), 482-495, https://www.jstor.org/stable/1387313.
  • Iaccino, J. (1998). Jungian reflections within the cinema a psychological analysis of sci-fi and fantasy archetypes. Westport.
  • Jung, C. G. (1958). Psyche and symbol: a selection from the writings of C. G. Jung. In Cary Baynes and F. C. R. Hull (Trans.). Garden City Publishing.
  • Jung, C. G. (1959). The Collected Works of C. G. Jung. In Herbert Reid, Michael Fordham, and Gerhard Adler (Eds.). Princeton University Press.
  • Jung, C. G. (1968a). “Jung and archetypes”. The collected works of C.G Jung. Princeton, N.J.: Princeton University Press.
  • Jung, C. G. (1968b). “Approaching the Unconscious.” In Carl Gustav JUNG et al. (Eds.), Man and His Symbols. New York: Dell Publishing Company.
  • Jung, C. G. (1970). The development of personality. In R. F. C. Hull (Trans.). Princeton University Press.
  • Jung, C. G. (1973). The collected works. Volume 5, symbols of transformation. In E. C. Hull (Trans.) Princeton University Press.
  • Jung, C. G. (1974). Mysterium Coniunctionis: An Inquiry into the Separation and Synthesis of Psychic Opposites in Alchemy. In R. F. C. Hull (Trans.). Princeton University Press.
  • Jung, C. G. (1991). The archetypes and the collective unconscious. In R. F. C. Hull (Trans.). Routledge.
  • Jung, C. G. (1993). Psychology and Alchemy. Princeton University Press.
  • Jung, C. G. (2014). Aion Researches in the Phenomenology of the Self. Taylor & Francis.
  • Jung, C. G. (2017). Psychological Types. In R.F.C. Hull (Trans.). Routledge.
  • Klapp, O. E. (1954). “The Clever Hero.” Journal of American Folklore. 67(263), 21-34.
  • Meadow, M. J. (1992). Archetypes and Patriarchy: Eliade and Jung. Journal of Religion and Health, 31(3),187-195, https://www.jstor.org/stable/27510694.
  • Meihuizen, N. (1992). Yeats, Jung and the Integration of Archetypes. Theoria: A Journal of Social and Political Theory, 80, 101–116. http://www.jstor.org/stable/41801969.
  • Neumann, E. (1990). Depth Psychology and a New Ethic. C.G. Jung Foundation.
  • Plath, S. (1965). “Lady Lazarus.” Poetryfoundation.Org, http://www.poetryfoundation.org/poem/178961.
  • Pridgeon, S. (2017). A woman’s pilgrimage to herself through the mother complex: A Jungian reading of selected works by Sylvia Plath. Dissertation (M.A. (English)), University of the Free State.
  • Schwartz, S. E. (2011). Sylvia Plath: A Split in the Mirror. IU Libraries Journals.
  • Storr, A. & Jung, C. G. (2013). The Essential Jung: Selected and introduced by Anthony Storr. Princeton University Press.
  • von Franz, M. L. (1964). “The Process of Individuation” In Jung, Carl G. (Ed.) Man and His Symbols. New York: Anchor Press, 158–229.
  • Zweig, C. (2020). Meeting the Shadow: The Hidden Power of the Dark Side of Human Nature. Penguin Publishing Group.

A Jungian Archetypal Reinterpretation of the Psychological Undercurrents in Sylvia Plath’s “Lady Lazarus”

Year 2025, Volume: 19 Issue: 1, 235 - 246, 30.06.2025
https://doi.org/10.47777/cankujhss.1624989

Abstract

The collective unconscious archetypes, including elements of the psychological process, universal symbols, and patterns of behavior, help us adapt to our internal and external environment. According to Jung, literature offers readers an understanding of the collective unconscious, allowing them to access universal symbols and archetypes of all people and societies. He thought authors frequently made unconscious use of these archetypes to produce works of art that connected with readers on a profound, psychological level. This interpretation of “Lady Lazarus” is a potent investigation of collective unconscious archetypes, particularly the Self, Shadow, Anima, Animus, Hero, and Trickster. The speaker struggles with her own impending doom. She challenges the reader to face their own deep despair and discover a method to overcome it by means of this exploration. This article aims to analyze the poem’s literary analysis in light of Jung’s archetypes of human behavior. By being grounded with these archetypal dynamics, “Lady Lazarus” becomes more than a confessional poem; it becomes a space for exploring the cyclical nature of destruction and renewal within the psyche. The relation between the poem and the archetypes allows readers to better understand literary characters and human psychology by remarking on universal prototypes for ideas that may be used to interpret observations. When “Lady Lazarus” is analyzed within the framework of Jung’s archetype theory, it allows readers to connect with the collective unconscious and develop an understanding of their inner worlds. This, once again, demonstrates the powerful impact of literature on human psychology.

References

  • Atre, S. (2011). The Feminine as Archetype. Annals of the Bhandarkar Oriental Research Institute, 92, 151-193, https://www.jstor.org/stable/43941279.
  • Avens, R. (1977). The Image of the Devil in C. G. Jung's Psychology. Journal of Religion and Health, 16(3), 196-222, https://www.jstor.org/stable/27505406.
  • Burger, J. M. (2010). Personality. Wadsworth Publishing.
  • Campbell, J. (2004). The Hero with a Thousand Faces. Princeton University Press.
  • Carroll, M. P. (1984). The Trickster as Selfish-Buffoon and Culture Hero. Ethos, 12(2), 105–131. http://www.jstor.org/stable/639961.
  • Dyne, S. V. (1983). Fueling the Phoenix Fire: The Manuscripts of Sylvia Plath's “Lady Lazarus.” The Massachusetts Review, 24(2), 395-410. https://www.jstor.org/stable/25089435.
  • Ekstrom, S.R. (2004). The mind beyond our immediate awareness: Freudian, Jungian, and cognitive models of the unconscious. Journal of Analytical Psychology 49: 657–682. doi: 10.1111/j.0021-8774.2004.00494.x.
  • Fordham, F. (1991). An Introduction to Jung’s Psychology. Penguin Books.
  • Gallagher, J. (2021). “Archetypes of the Collective Unconscious and Complexes.” Academia.edu. https://www.academia.edu/32947677/Archetypes_of_the_Collective_Unconscious_and_Complexes.
  • Greenwood, S. F. (1990). Émile Durkheim and C. G. Jung: Structuring a Transpersonal Sociology of Religion. Journal for the Scientific Study of Religion, 29(4), 482-495, https://www.jstor.org/stable/1387313.
  • Iaccino, J. (1998). Jungian reflections within the cinema a psychological analysis of sci-fi and fantasy archetypes. Westport.
  • Jung, C. G. (1958). Psyche and symbol: a selection from the writings of C. G. Jung. In Cary Baynes and F. C. R. Hull (Trans.). Garden City Publishing.
  • Jung, C. G. (1959). The Collected Works of C. G. Jung. In Herbert Reid, Michael Fordham, and Gerhard Adler (Eds.). Princeton University Press.
  • Jung, C. G. (1968a). “Jung and archetypes”. The collected works of C.G Jung. Princeton, N.J.: Princeton University Press.
  • Jung, C. G. (1968b). “Approaching the Unconscious.” In Carl Gustav JUNG et al. (Eds.), Man and His Symbols. New York: Dell Publishing Company.
  • Jung, C. G. (1970). The development of personality. In R. F. C. Hull (Trans.). Princeton University Press.
  • Jung, C. G. (1973). The collected works. Volume 5, symbols of transformation. In E. C. Hull (Trans.) Princeton University Press.
  • Jung, C. G. (1974). Mysterium Coniunctionis: An Inquiry into the Separation and Synthesis of Psychic Opposites in Alchemy. In R. F. C. Hull (Trans.). Princeton University Press.
  • Jung, C. G. (1991). The archetypes and the collective unconscious. In R. F. C. Hull (Trans.). Routledge.
  • Jung, C. G. (1993). Psychology and Alchemy. Princeton University Press.
  • Jung, C. G. (2014). Aion Researches in the Phenomenology of the Self. Taylor & Francis.
  • Jung, C. G. (2017). Psychological Types. In R.F.C. Hull (Trans.). Routledge.
  • Klapp, O. E. (1954). “The Clever Hero.” Journal of American Folklore. 67(263), 21-34.
  • Meadow, M. J. (1992). Archetypes and Patriarchy: Eliade and Jung. Journal of Religion and Health, 31(3),187-195, https://www.jstor.org/stable/27510694.
  • Meihuizen, N. (1992). Yeats, Jung and the Integration of Archetypes. Theoria: A Journal of Social and Political Theory, 80, 101–116. http://www.jstor.org/stable/41801969.
  • Neumann, E. (1990). Depth Psychology and a New Ethic. C.G. Jung Foundation.
  • Plath, S. (1965). “Lady Lazarus.” Poetryfoundation.Org, http://www.poetryfoundation.org/poem/178961.
  • Pridgeon, S. (2017). A woman’s pilgrimage to herself through the mother complex: A Jungian reading of selected works by Sylvia Plath. Dissertation (M.A. (English)), University of the Free State.
  • Schwartz, S. E. (2011). Sylvia Plath: A Split in the Mirror. IU Libraries Journals.
  • Storr, A. & Jung, C. G. (2013). The Essential Jung: Selected and introduced by Anthony Storr. Princeton University Press.
  • von Franz, M. L. (1964). “The Process of Individuation” In Jung, Carl G. (Ed.) Man and His Symbols. New York: Anchor Press, 158–229.
  • Zweig, C. (2020). Meeting the Shadow: The Hidden Power of the Dark Side of Human Nature. Penguin Publishing Group.
There are 32 citations in total.

Details

Primary Language English
Subjects British and Irish Language, Literature and Culture, World Languages, Literature and Culture (Other), Literary Studies (Other)
Journal Section Research Articles
Authors

Münevver Yakude Muştak 0000-0003-2815-8144

Early Pub Date July 1, 2025
Publication Date June 30, 2025
Submission Date January 26, 2025
Acceptance Date April 23, 2025
Published in Issue Year 2025 Volume: 19 Issue: 1

Cite

APA Muştak, M. Y. (2025). A Jungian Archetypal Reinterpretation of the Psychological Undercurrents in Sylvia Plath’s “Lady Lazarus”. Cankaya University Journal of Humanities and Social Sciences, 19(1), 235-246. https://doi.org/10.47777/cankujhss.1624989

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